You Scream, I Scream...




     Abbey’s fear smelled like blood freezing rapidly in an angry mist of Freon gas. Her temples pounded as she realized she was out of Choco Banana Power Pushups. The tasty confections came in two varieties, one with vanilla bean sprinkles and one with real banana flake sprinkles.

     She was out of both.

     For any of the other Arctic Monkey Ice Cream trucks prowling the serene streets of Harrisonville's various residential areas, this situation would simply involve an apology and possibly a small discount on a different item. The Cocoa Monkey Banana Bar was similar, but arguably, not as good. 

     This created a problem for Abbey.  One of her best customers was a woman named Angela who was positively addicted to the Choco Banana Power Pushup. No other item in the truck would do. Every day, on the corner of 3rd and Elm Street, usually around three o'clock, Angela would be waiting with an excited smile and a crisp two dollar bill in her gloved hand. She always wore exquisitely ornate, black gloves, even in the summer. Abbey had always been impressed with Angela's sense of fashion. In addition to the gloves, she always wore an elaborate cloak with a glorious, oversized, black hood which she sometimes wore over her head (casting the most dramatic and eerie shadow over her beautiful face), but usually wore down, draped symmetrically across her delicate shoulders. Angela's skin, in the sunlight was quite possibly the most beautiful thing Abbey had ever set her eyes on. The color was like a vibrant, easy gray that seemed to glow gently beneath a thin, translucent layer of amber. The first time Abbey encountered her, she thought the woman was wearing a porcelain mask of intricate construction. Over subsequent encounters, Abbey came to know that this was indeed Angela's face. Her almost alien complexion wasn't the only interesting thing about Angela. Every single time Abbey engaged with her, a powerful scent of fresh baked bread, dripping with butter and on rare occasions, a slight hint of cinnamon added in, would dominate the air around her. The smell always caused Abbey's mind to flood with the memories of loved ones taken by the grave and a couple of not so loved ones who had stayed around way too fucking long.

     Abbey wasn't sure when she had accepted who Angela really was, she only knew that her fear of the woman was only slightly greater than the fascination she held for her. And today, Abbey was out of the woman's favorite frozen treat. It is with no small amount of terror that a mortal dares to offend a goddess, even by accident.

     Abbey flamed up her, company issued iPad Pro and tapped past the Squareup POS menu to the application that connected her to the other trucks in the Arctic Monkey fleet. Somebody out there had to have a box of Choco Banana Power Pushups on hand. She sent a text out through the in-app messenger, asking if anyone had any. The replies began to flood in with comments like, "nope," "none here," "negatory," and the totally expected "fuck off boy-girl," from Brad Williams. There was an embarrassing history between Abbey and Brad and he was always unnecessarily rude  with her. "How in the hell are we out of these damn things across the board?" Abbey wondered. A quick check in the inventory tab indicated disastrous news that the product was discontinued and no longer available. Abbey felt as if her insides were disconnecting and sinking into her thighs. "Holy shit..." she muttered as she looked up and out into the street beyond the truck's serving window.

     "Hi Abbey!" Angela said, literally appearing out of nowhere.

     Abbey was shocked. It took a moment for the witch's brew of adrenaline and bile to settle enough for her to speak. She was ready for this fucking day to be over.

     "I need something different today, Beautiful," Angela said, then, "I need you to move the truck back a ways. Maybe like, half a football field."

     Abbey stared at Angela for a second. The woman's hood was up, completely obscuring her face in deep shadow. Glancing down, she noticed that the delicate, lace-like patterns that covered Angela's black gloves were glowing green and blue. The aroma was different, too. The scent of brown sugar and apples baking with the slightest hint of sulfur chasing after, filled the warm autumn air around them.

     "Like, now." Angela pushed.

     "Right, no problem," Abbey answered.  She quickly latched all the container tops and dropped the window cover. Fuck the awning. If Angela wanted the truck moved, Abbey was going to move it. With the urgency of a paramedic in action, Abbey maneuvered into the driver's seat, disengaged the parking brake and started the engine. She backed the truck up about seventy five yards and killed the motor. "Is this okay?" Abbey shouted, leaning her head out the driver side window.

     "Better than perfect, my friend," Angela said softly, now sitting in the passenger seat next to Abbey.

     "Holy fucking hell! How did you get in here like that?" Abbey squeaked through a failing throat full of shock.

     "I thought I'd get out of the way, too," Angela said calmly as she looked at the intersection ahead.

     Abbey turned to look in the same direction as Angela. Just a beautiful autumn day at the corner of 3rd and Elm.

     "It's coming. Hey, do you listen to Kimbra? The singer?" Angela asked, still looking toward the intersection.

     "I'm not familiar with her," Abbey replied, confused. She felt like she was fighting back a stroke.
     Music suddenly filled the cabin of the truck. "Good Intent," by Kimbra slinked out of the truck's dashboard speakers as well as it's PA speakers. The music was loud, but not too loud. "I love this song!" Angela said with a hint of excitement in her lovely voice. She began to groove along to the song subtly as she continued to watch the intersection. The music, combined with Angela's movements helped Abbey ease down from the adrenaline high that had been crushing her. The song was pretty damn cool...

     With barely enough time to return her eyes to the intersection, Abbey watched as a 2019 Ford Mustang GT, black with green and blue line graphics flew at an insane speed toward the intersection down 3rd Street. She noticed the green and blue lace lines along Angela's black gloves glow brightly. The lace patterns on her other glove were more of a yellow color, also glowing like a flame. Abbey returned her gaze to the intersection. A yellow, Lincoln Navigator was sliding like a torpedo down Elm street, toward the Ice Cream truck and accelerating to collide with the Mustang.

     Angela clapped her hands together a heartbeat before the two vehicles became one mass of tangled destruction in the intersection.

     The crash was the most terrifying thing Abbey had ever witnessed. Debris flew in every conceivable direction. A hubcap ricocheted off the windshield. She couldn't even blink at the devastation expanding in front of her. The Lincoln, smashed through the Mustang and came to rest atop a  concrete bench about ten yards from the Ice Cream truck. The Mustang rolled several times, throwing off pieces of itself as it moved through the air to finally settle, upside down, somewhat farther away than the Lincoln's remains.

     Some time passed, Abbey wasn't certain how much, before a man stumbled from the wrecked Lincoln Navigator. He struggled for a moment to remove something from the cab, then holding a ridiculously large handgun, staggered to the driver's side of the, now upside down, Mustang. The man knelt down, grabbed the mangled door and began to tug furiously at it. What was left of the door mechanism finally gave and the man was able to wrench it open.

     Abbey looked over at Angela who was now eating a Lemon Dream Supreme bar (the expensive one with the plastic stick).

     "I like these, too," Angela said through a smile. "Did you know they discontinued the Choco Banana Power Pushups?!" She added with an air of annoyance.

     "I... just found out a little earlier," Abbey muttered, returning her eyes to the drama in front of the Ice Cream truck. "I was trying to find one for you..." Abbey almost whispered as she watched the man from the Lincoln drag the driver of the Mustang from the wreckage, place the barrel of the gun to the guy's head and began to shout for him to "wake the fuck up!" The semi conscious person on the ground began to stir. The man from the Lincoln fired his gun into the man's head, then fired two more shots into the man's chest. At this point the man from the Lincoln collapsed to the ground.

     "Hop out Abbey. We've got to move quickly," Angela said calmly.

     Abbey looked to Angela, but she was no longer in the truck. Her head grew light. She opened her door, got out and began walking toward the two men on the ground ahead. She noticed Angela was already there and moving toward the trunk of the upside down Mustang. As Abbey arrived, she noticed Angela running a hand along the trunk of the car. Abbey looked over at the two men, one breathing and one not, sprawled out on the ground beside her.

     Angela surveyed the back side of the Mustang.

     "Something interesting in the trunk?" Abbey asked.

     "Very," Angela confirmed.

     "We'll need a wrecker to get that open," Abbey said.

     The man from the Lincoln began to stir.  

     "Well, you would need a wrecker, but we don't have time for that," Angela said as she raised her arms over the back of the Mustang. She turned her head to look at Abbey and moved her right hand to her back. "Check it out, one hand behind my back!" Angela said as she moved her left hand up. As she did so, the Mustang lifted up into the air, dirt, gravel and grass falling from it as it rose. "Stay," Angela instructed the car. She then motioned with her free hand to the trunk lid with a flip of her wrist. The trunk lid fell from the car to the ground with a dull thud, followed by a large, black, ABS plastic case.

     "Damn it Angela, I had this..." the man from the Lincoln tried to shout through a mouth filling with blood.

     "It's about time you  came to, Mort," Angela said through a sinister grin. She then gestured with her left hand for the case to flick away from the Mustang hanging in the air. It obeyed, skipping like a stone across a pond, settling well away from the Mustang. Angela turned toward Abbey and Mort, the car crashing to the ground as she did so.

     "You know each other?" Abbey asked Angela as she walked over to join her and the man she called Mort.

     "Quite well. Mort here keeps me pretty busy," Angela smiled as she knelt down over the driver of the Mustang. She reached into the man's chest, grabbed something inside and stood suddenly, pulling what looked like a ghost version of the guy out of his body as she did so. "This is what a human soul looks like," Angela said as she held the vaporous spirit up into the light to inspect it closer. It twitched as if desperate for escape. 

     Abbey looked at Mort.

     "Yeah, yeah, angels and shit. Weird as fuck, right?" Mort said, maneuvering into a sitting position with extreme and painful effort. Bones protested loudly with wet snaps as he moved. Hands bloodied from his injuries, he fumbled about his jacket pockets for his cigarettes. Finding them, he pulled one out and got it into his mouth when he realized his lighter was in the Navigator. He looked at Abbey. "Would you have a lighter, ma'am?" 

     Angela looked at the case she retrieved from the trunk of the Mustang. It was fascinating. The energy some humans would spend to kill each other was beyond her, even after millennia of collecting their souls in the aftermath. As she studied the case, she listened in on Mort and Abbey.

     "I don't smoke," Abbey replied.

     Still looking at the case, Angela raised a hand and snapped her fingers. As she did this, Mort's cigarette lit up.

     Mort looked over at Angela. "Thanks, Angela," he said. "You're a good one."

     "Whatever gets you closer to my collection, love," she replied through a smile. She rose and moved to join Abbey who was helping Mort to his feet. "You can't kill her, Mort," Angela said as she reached down to help Abbey lift the rattled man. 

     "Kill who, her?" Mort asked, pointing to Abbey. "I did get extra that covers eliminating witnesses," he added.

     "Wait a fucking minute!" Abbey exclaimed as she quickly released Mort's arm, causing Angela to compensate for his weight. 

     "Mort, you can't kill her. Trust me, she knows how to keep a secret better than anyone," Angela said with complete authority. "She's my Ice Cream dealer and she's my friend. I've known her for a very long time," Angela explained as she helped Mort lean against the Ice Cream Truck. "In fact, I would propose that she could be an excellent asset in the field. You've been thinking about some extra income lately, haven't you Abbey?" 

     "I don't know. I sell Ice Cream and run the tickets and concessions at the Roller Derby. I'm not a killer," Abbey answered back.

     Angela moved to Abbey, put her hand on Abbey's shoulder and with the other hand pulled back the hood of her cloak. Her beautiful skin faded away, only for a moment, to reveal a bleached skull, then her face faded back into place as she spoke. "You know that's not true, dear. You killed what you were, to be what you are. It wasn't exactly a choice, but that change is what drew me to you in the first place. The bravery it took for you to do that, the bravery it now takes for you to get out of bed everyday... Well, let's just say it takes an almost supernatural strength to do that and it got my attention. I am an angel of death, transition and change. I know what I'm talking about."

     "I could think of about a dozen uses for an Ice Cream truck," Mort said between puffs of his cigarette. "Driver. Ice Cream truck driver," he corrected. "We could start by getting that asshole's body out of here before the cops get here. Angela here can stop and slow down time, but she'll be gone in a minute and reality normals will kick back in.  I still need to make him disappear."

     "The main freezer is big enough, but someone will have to pay for all the ice cream that I'll have to toss to make room," Abbey said to Mort. 

     "He's good for it," Angela smiled, sliding her arm around Mort's shoulder. "I'm assuming you want the case, too?"

     "Hell yes, I want that damn case. That's what all this was about," Mort snorted.

     "I'll get it," Abbey volunteered, moving quickly to retrieve the case. She grabbed it's handle, then nearly fell over from the unexpected weight of the thing. "Shit! What the fuck is in this thing that weighs so much?!" Abbey shouted as began dragging it toward the truck.

     "Plutonium is pretty heavy, but the lead bottle that holds it sure doesn't help make things any lighter, I imagine," Mort offered as he began to lift himself into the passenger seat of the truck.

     Angela slid next to Abbey and took the case by the handle. She lifted it easily and winked at Abbey. "Go clear out your freezer. I've got this. It won't explode. I fused the detonator." Angela pointed at her head as she said this, then added, "I used my magical brain powers!"

     Abbey did as she was told and proceeded to her truck. All said and done, the door to a future of amazing sales days was just kicked open and she was totally okay with that.


     E.H.
     11/20/2019
     
     

Amber Comes Through - Screenplay Conversion





Strange Containers

Amber Comes Through

by
Earl A. Hale






Contact:
Toy Robot Productions
earl@toyrobotproductions.com







Second Draft
10/28/2019








EXT. COFFEE PLANT BUILDING ROOF - NIGHT

Lucy watches the couple on the roof two buildings over
through a Leopold Mark 8 tactical scope mounted on a heavily
modified Les Baer M4 Flattop AR 15 rifle, anchored by a
scratched and beaten Bushnell rifle tripod. The night air is
clean, crisp, cold and fills Lucy with the strangest tasting
energy. She watches the couple drift into each other, their
mouths joining in a deep kiss that echoes to the present from
the first time curious lips embraced a stranger fruit,
forbidden with a wink by The Creator itself.

CUT TO:
EXT. MARCUS'S APARTMENT ROOF - CONTINUOUS

Andi and Marcus can only feel the primal drive, sourced from
The Power that Creates The Universe itself, move through
their bodies like fire through a gas line. So distracted from
the flow of their reality, they have no idea of forces at
play around them, much less the eyes that watch them from two
buildings away...

CUT TO:
EXT. COFFEE PLANT BUILDING ROOF - CONTINUOUS

Lucy inspects the very expensive war machine and marvels at
the precise construction and sheer artwork of the thing.
Mortimer Gordon Smith, the loneliest soul in existence,
murderer for hire and silent seeker of truth and love, will
be returning soon. Lucy had very little time to measure her
response to the discovery of Mortimer’s trade craft here on
the roof of this abandoned coffee roasting plant. She had
arrived to watch Mortimer calculating the mechanics of the
kill. She offers a prayer of gratitude to nothing in
particular as she observes he has not fired yet. She wills
the overwhelming and painful urge to urinate into the nerves
feeding his bladder and grins in the darkness as he suddenly
locks the gear down and leaves the roof quickly. Moments pass
and Mort is on the way back up the stairs to resume his task.
Lucy disengages from Mort’s gun scope and moves just off to
the side of the rig. She can smell any human soul and track
it’s location in an instant, but in thousands of years of
this exercise, figuring out what to do with one when you
corner it, is the fun part.

CUT TO:

EXT. WHISKEY'S WHISTLE STOP ENTRANCE - CONTINUOUS

At Whiskey’s Whistle Stop, the strip club one building over
on the corner, painfully beautiful young women move like
flames on chrome lined, shiny, black lacquered stages pierced
by brass poles. The men in the bar bleed five and ten dollar
bills onto the stages as the all consuming fire goddesses
move against the sounds of “Ball and Biscuit,” by The White
Stripes. The song, ejaculating hard from powerful
loudspeakers can not be contained by the walls of the club
and pulse out into the street.

CUT TO:
EXT. COFFEE PLANT BUILDING ROOF - CONTINUOUS

Lucy, with supernatural hearing, moves to the song along with
the dancers in the club below, as she keeps her eyes on
Mortimer. She moves silently. Earlier, upon arriving at this
roof, she pondered stopping the flow of time, but thrilled by
the rapidly unfolding events, decides to play this one out in
real time.

MICHAELA
Da Rien

LUCY
Fuck, Michaela, not now..

MICHAELA
Morty ne peut pas nous entendre

LUCY
What is it I’m grateful for?

MICHAELA
J’ai rendu le jeu plus intéressant,
Lucy spins to look Michaela in the eyes. Michaela stares back
with a wide grin.

CUT TO:
Mortimer’s finger enters the void of the guard and moves
gently in to touch the trigger. Suddenly, he moves his hand
away from the trigger guard and re-positions his body
slightly to see something unexpected.

CUT TO:

Lucy spins back to look at Mortimer.



LUCY
(under her breath)
Now what?!

She moves closer to see what is vexing the lonely killer. She
closes her eyes and allows all the knowledge of The Cosmic
Data Stream to flow through her, full blast, no focus, no
filters. She surfs the powerful orgasm that crushes through
her to it’s conclusion, the inevitable effect of channeling
the flow of all Universal data through her being. It is a fun
opening to jump through that an eternity of entrances could
never prepare a physical being to endure. To be an angel
though, this is a different thing entirely. An angel can
shrug through an orgasm that would destroy any lesser being.
It is, in hyper-reality, the feeling of establishing an open
connection with The Cosmic Data Stream.

She opens her eyes...

CUT TO:
Slow push in from MCU to TIGHT SHOT on Lucy's eyes with
effect in to TIGHT SHOT on Mort's eyes pulling back to
matching MCU. We notice Mort's Brown eyes becoming Lucy's
dark green eyes with "galaxy effect" in the pupils.

CUT TO:
INT. MORTIMER'S MIND - CONTINUOUS

We are inside Mort's mind. It appears to be a cluttered and
filthy apartment with walls of pulsing, wet meat. We move
quickly to a dirty window through which we see the roof top
where Marcus, Andi, and now Amber, are in a full on angry
discussion.

LUCY
Shit, this guy's brain is a wet
mess...

CUT TO:
EXT. COFFEE PLANT BUILDING ROOF - CONTINUOUS
CUT TO:

Focusing past the Bullet Drop Compensating Reticles that
interrupt the composition of Andi and Marcus on the roof a


Focusing past the Bullet Drop Compensating Reticles that
interrupt the composition of Andi and Marcus on the roof a
building away, Lucy watches through Mortimer as the lovers
are joined by another young woman.

CUT TO:

EXT. MARCUS'S APARTMENT ROOF - CONTINUOUS

Wide shot on Marcus, Andi and Amber. As they interact, they
move their positions. Amber approaches the couple from the
roof entrance. As she speaks, Andi quickly moves behind
Marcus. Any violence from this angry woman has to go through
Marcus first.

CUT TO:

EXT. COFFEE PLANT BUILDING ROOF - CONTINUOUS
Lucy, now inside Mort's mind, is lying in sniper position
looking through the scope. Visually, we see Lucy wearing
Mort's clothes. She is grinning as she watches the action.

LUCY
Humans are such fun to watch when
they dance. This would be so much
more fun if the three of them just
got naked and connected up. I don't
see a Reaper, though. (Lucy looks
away from the scope for a moment)
That's weird, I don't see a Reaper
here either. (She turns her
attention back to the scope)

Suddenly, Lucy hears music coming from far away. Slowly She
realizes that Michaela is about to get busy.

The opening lines of “In Your Letter,” by REO Speedwagon fold
through the night air from somewhere impossibly distant.
Lucy scans the roof and the air above her. There are no signs
of Michaela. Lucy returns her eye to the scope...

LUCY (CONT'D)
Michaela...
CUT TO:



EXT. MARCUS'S APARTMENT ROOF - CONTINUOUS

AMBER
What the fuck Marcus?!
MARCUS
(throws a confused glance at the
roof access door)
How did you get up here?!
AMBER
(Totally pissed)
What happened with Walt? Why aren't
you helping him?!
ANDI
What's with the 80's music?
MARCUS
Walt's a worthless waste of air. I
blocked his ass from my phone and
social and we haven't connected in
over a week. What's he fucked up
now?

CUT TO:

EXT. MARCUS'S APARTMENT ROOF - CONTINUOUS

High above the stoned and angry triangle of rooftop actors,
Michaela hovers in a glow of intention so strong it almost
bends into mortal perception.

CUT TO:

Tight shot on Michaela as she gazes upon the three humans
performing a vibrational opera of tension and ill consequence
below her.

CUT TO:

Back on the roof, Amber, previously touched by Michaela and
her friend Reaper surrounded by the aroma of fresh baked
bread in Bud's Sub Shop, is almost in position to receive her
anointing. In an instant, unseen by the human players...

CUT TO:

...Michaela stands just above the floor, her toes not quite
touching it, behind Amber...



CUT TO:

She touches the girl’s throat from behind with her finger and
pushes a glowing thought into and through it.

CUT TO:

MCU on Amber. She chokes but pushes through the discomfort
motivated by her anger.

AMBER
I... (makes a "glurck" sound from
choking, then srhugs it off and
continues to speak) I don't know
for sure. I only know that he's in
County and his place has been
totally trashed. I mean fucking
trashed!! It'll take a crew to
clean that mess up anytime soon...

MARCUS
(suddenly fighting back a grin)
Sounds like he's safer in County.
He's in good shape. Best thing we
could do is feel good and be still
and let things play out real quiet
like. What's our problem here?
CUT TO:

Mort's position on the roof looking through the rifle scope.
He's muttering something...

MORT
Have to abort. He paid for two not
three...

CUT TO:

Mort's cluttered mind. The words "abort" and the phrase "two
not three," echo in the room. Lucy turns to the door and
quietly exits Mort's mind.

CUT TO:

Wide shot on Mort still lying in sniper position. Lucy
appears next to him in a simple dissolve. She stands to look
at him and then toward the other roof. Then she sees it...

CUT TO:

Wide shot on apartment roof. Michaela hovers above the three
humans. She is surrounded by powerful flashes of superdimensional
light and multi-colored bolts of lightning. The
wind across the roof grows stronger, aggravated by a strange
and alien vibration from a higher state of reality...

CUT TO:

...filling both Marcus and Andi with a sudden, uncontrollable
urge to get the fuck away from there as fast as fucking
possible. Marcus turns to bolt for the exit when his legs
refuse to cooperate, freezing in place. He turns to look at
Andi...

CUT TO:

...she stands staring down at her feet, confused as to why
they will not move...

CUT TO:

...Marcus redirects his attention to Amber.

MARCUS
All I wanted was to get my lady
naked and high! What the fuck is
with THIS weird shit?! And what the
hell is with the REO Speedwagon?!

The wind is really picking up to almost dangerous force. The
music is growing just as loud.

CUT TO:

MCU on Andi as she falls to her knees, hands clasped at her
chest, head bowed in fearful prayer.

CUT TO:

Tight on Amber. She is glowing and her long, brunette, hair
is turning a brilliant, zinc, white. Faint, small, bolts of
lightning are arcing from her head, illuminated by energy
beamed into her by Michaela hovering above her. Amber is
however, completely oblivious to all of this and Marcus and
Andi, to her, are acting completely insane.

AMBER
What the fuck is wrong with you
two?

We can barely hear hear as her voice is drowned out by the
storm and the music.

CUT TO:

Tight on Marcus.

MARCUS
What the fuck is wrong with you?!

CUT TO:

Wide shot on roof. A sudden silent, stillness settles over
the roof. The contrast of the quantum state of peace and
quiet threatens sanity itself.

AMBER
Why are you shouting? (points at
Andi, who is crouching and praying
it mortal terror) What the hell is
wrong with her?

MARCUS
Andi! get up girl...

ANDI
(stands shakily) I want to go
downstairs now.
Andi turns to Amber and points to Amber's hair. Andi is about
to fall apart, but somehow keeping it together.
Your hair is white...

CUT TO:

Amber pulls a lock into view and notices that the girl is
right. It is indeed white, like a billowy cloud on a perfect
summer day. The beauty fills her with a sense of power that
moves just beneath the intense confusion. Did Marcus and this
girl do something to her? Why were they acting so scared?

CUT TO:

MCU on Marcus. He is very, very slowly backing away from
Amber and pointing to her as he speaks. He too is visibly
shaken by what has just happened.

MARCUS
I think you just got hit by
lightning or something, Amber. That
was some intense, weird shit! You
feel okay?

AMBER
(confused as fuck and continuing to
look at a lock of her now cloud
white hair)
I'm fine. I don't know what's going
on here. Maybe I did get hit by
lightning or something. I'm fine
really. (under her breath) Fucking
weird...

MARCUS
You might want to get yourself
checked out or something.
(seriously thinks about something
for a moment) I'll send my lawyer
to County to see about getting Walt
released, if you want me to. I
still think he's safer there, but
whatever...


Amber turns and moves toward the Roof Access Door. She is
clearly dazed and feeling just plain weird as hell.

AMBER
(her back to Marcus and Andi) Sure
to all of that.

CUT TO:

EXT. COFFEE PLANT BUILDING ROOF - CONTINUOUS

Lucy watches as Mort breaks down
his gear to pack and exit his
position on the roof. He moves with
practice and precision. She turns
her gaze back to the other roof.
She can see Marcus standing, alone
now, like an unclaimed paper
target. She inhales deeply through
her nose, closing her eyes as she
does so. The scents of adrenaline,
perspiration, ozone, gun oil, roses
and human souls in conflict create
an exquisite aroma that makes her
grin uncontrollably.
LUCY
(eyes closed as if in prayer)
Every smile a prayer. (opening her
eyes now) I wonder what Michaela
just created over there? In front
of human witnesses. Holy fuck, what
did their compressed little brains
think of it?


Mort is continuing to pull his gear together when he suddenly
turns directly to Lucy and speaks.

MORT
I'd stay away from that white
haired girl, if I were you.

LUCY
(shocked as fuck) You can see me?!

MORT
I've always been able to see you.
Sometimes you shimmer like a ghost,
but you've been floating around me
for years. It just seemed cool to
say something to you now. That was
supremely weird over there.
Mort smoking a cigarette, inhales his smoke, pinching it
between his thumb and fore finger like Humphrey Bogart. He
exhales a thick plume away from Lucy in a strange gesture of
respect.

LUCY
Not everyone can see me unless I
want them to. You have a rare
talent Mort.

MORT
The girl with the hair. You might
want to keep your distance. Just
saying.

Mort resumes his task and hoists the heavy tripod over his
shoulder.
MORT (CONT'D)
Not that it's any of my business.

LUCY
Right. I'm not sure that possible
now, Mort.

MORT
(stopping at the door to the roof
access shack) Oh, next time you
need to get into my head, ask
first. Courtesy, you know?


Mort steps into the door and disappears down the stairs. Lucy
stars at the empty door for a moment.

FADE TO BLACK:


©2019 Earl A. Hale - All Rights Reserved

You Scream, I Scream...

     Abbey’s fear smelled like blood freezing rapidly in an angry mist of Freon gas. Her temples pounded as she realized she was o...